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FUTURE STUDIES

2021년.04.16 - 2021년.06.30
Future Studies is a long-term project by the Italian photographer Luca Locatelli, in which he researches new ways for humanity to survive on planet Earth.

LIFE IN MONO

2020년.12.25 - 2021년.03.31
Featuring snapshots of daily life, taken in public spaces on the streets of Singapore, Life in Mono is a series of monochrome photographs shot by renowned Singapore photographer AikBeng Chia.

THROUGH THE SALARYMAN'S EYE

2020년.10.22 - 2020년.12.09
Leica Galerie Singapore presents to you a nostalgic time from 70s and 80s of Tokyo through the eyes of salaryman Jiro Kochi.

FACE VALUE

2020년.01.17 - 2020년.03.31
Face Value is a series of portraits featuring “influencers” and “girls of Instagram”. It throws the spotlight on the changing face of media; how traditional media is being replaced by faces, and how society — including the media — constantly judge these faces, placing values on them.

CHINA

2019년.11.10 - 2020년.01.13
Steve McCurry decided on China as his first official location to take photographs with the Leica SL2. Conveying a sense of naturalness and confidence, the photographs were like a seamless, uninterrupted flow which continues from his previous Chinese experience.

FACES OF YANGON

2019년.10.11 - 2020년.01.31
Faces of Yangon began with one haunting image of a monk made by Steve Golden on a weekend trip to Yangon in 2015.

12 HOURS

2019년.09.13 - 2019년.11.01
The exhibition documents current developments and thoughts from 2 cities exactly 12 hours apart, highlighting fundamental questions by examining the basic philosophical concepts of Time, Space and Existence.

TSUKIJI OFF-LIMITS

2019년.08.30 - 2019년.10.08
The exhibition is the culmination of more than 10 years photographing in and around the Tsukiji market using five different generations of Leica M cameras.

ANGKOR

2019년.08.21 - 2019년.09.10
On his sixth trip to Cambodia, Michael Lee, with a Leica CL, revisited the majestic Angkor Wat and the villages around Siem Reap.

DÍA DE MUERTOS

2019년.05.23 - 2019년.08.01
Wielding his Leica CL and Leica Q, Francisco Marin returns to his hometown to document the Day of the Dead.
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